"Clutter is a result of deferred decisions." - Unknown
Saturday, May 24, 2014
|Eric Wimmer, Victoria Copeland, Michael Copeland at the Nicolaysen Art Museum, Casper, WY May 2, 2014|
The first time I saw Michael's work was during a slide-show presentation in 1985. Mind you, this was in our tiny berg in the middle of the desert. To say I was awe-struck is putting it mildly, I remember thinking, who is this guy? I actually asked him directly, in a loud disruptive voice,"Why are you here?" Of course, those of you who know us well know the answer. He was there so we could meet up for one of those "once-in-a-lifetime" gigs. However, personal relationships, karma, and future marital happiness aside, the question was aimed at what I saw in him and in his work.
|France Berkley 14 x 22 Mixed media gouache on watercolor board 1984|
|First New Mexico Studio - Tularosa, NM 1985|
|Interior - Studio - Tularosa, NM 1985|
|Michael Copeland - Tularosa Studio - 1985|
The first time I saw Michael Copeland's work I had that same sensation I had experienced standing in front of the Matisse retrospective that day in Detroit, a knowing, if you will, of being in the presence of something great and by that, I mean something greater than myself. I have come to believe that the artwork which endures; those artist's images that fix in our minds and hearts are generated from a place of vision and altitude which extends beyond our own. Consider why we keep going back to the Masters. The work keeps us intrigued, inviting us to see more each time we look. The images that move us transcend place and time, culture and gender and tap into a larger truth, they become our touchstone and the artist and his/her work, our conduit. I saw and felt this in Michael's work and I feel the same about his work today. All those years ago, I couldn't believe this talented artist would want to stay in a small town in the middle of nowhere, a tiny place where his work would not be seen or elevated. But he stayed and used the quiet and the space of the desert to bring his particular vision and talent to his teaching, to his artwork and to his life and ultimately, like all things great, his work could not be contained.
|"It's Only Make Believe" Michael Copeland Retrospective - Nicolaysen Art Museum, Casper, Wyoming May 2, 2014|
Both Michael and I would like to extend our sincerest gratitude and appreciation to everyone at the beautifully appointed Nicolaysen Art Museum in Casper Wyoming; Executive Director Brooks Joyner, and his wonderful, talented and gracious staff, and to Museum Curator Eric Wimmer for his extraordinary vision, talent and support, as well as wife Maria Wimmer for her creative contribution and support, to Zhanna Gallegos, Coordinator of Education for her inspiration and hard work and to Lisa Fujita for holding it all together. To all the patrons, friends, family, students and residents of Casper who traveled from far and near to make this event one for the books, thank you all! It has been a pleasure getting to know you and it has been an honor to be a part of this event. - Michael and Victoria Copeland
|It's Only Make Believe - Left to Right - Luke with Yellow Drip 2008. Collection Richard Owens, Warrenton, Virginia, Incognitus 2011 and Odd Caravan 2013. Collection the artist and No. 4 1999. Collection Jan and Chris Turri Corrales, New Mexico|
|It's Only Make Believe - Left to Right - France Berkley 1984 and Bones 1983 both collection the artist|
|Curator Eric Wimmer Introducing the Artist|
|Patron and Son! Sean Danby, East Hampton CT, and Patron and Cosmic Daughter Heather Wilder, San Francisco. Behind them on Sean's right, No. 4 1999 and to Heather's left, the original Jack 1991. Collection Patrice Case, Geneseo, New York|
|Maria Wimmer and darling daughters Elise and Cordelia with Bird Man 1990. Collection Patrice Case on the far wall.|
|Heather Wilder enjoying an early work - Levitating with Support 1982|
|Crown of Horns 2010 - Collection Kelley and Shawn Quarles Tularosa, New Mexico|
|The Maestro 2013, flanked by Jack II 2011 and Public Outing II 2012. Collection Rick Allred Santa Fe, New Mexico. |
The Maestro is Now Part of the Nicolaysen Museum's Permanent Collection.
|The Exhibition Catalog!|
|Patron and Brother! Scott Barringer, San Francisco and me, Victoria Copeland - Nearby, Oh Umbria! 2013. Collection of Donald and Cindra Hamer, Longmont, CO and Changing of the Guard 2012.|
|Patrons Rick Allred, Santa Fe, NM and Mr. and Mrs. Donald Hamer, in the Gallery of Early Works, the '70's|
|Cosmic Daughter Kendra Fuller, Chicago, IL with son Sean Danby|
Cate, Kendra Fuller, Victoria Copeland, Scott Barringer, Michael Copeland, Rick Allred, Heather Wilder, Eric & Maria Wimmer, Sean Danby
The exhibition catalog featuring all the images for It's Only Make Believe is available on Amazon or can be purchased directly from the NIC. tel. 307-235-5247
Sunday, May 11, 2014
"God knows that a mother needs fortitude and courage and tolerance and flexibility and patience and firmness and nearly every other brave aspect of the human soul" - Phyllis McGinley
Sending love to my incredible mother, Earlene, and to all the great moms across the globe.